EOS R6 Mark III vs EOS R6 Mark II: video quality and specifications
For video shooters, the EOS R6 Mark II was a step up from the EOS R6, thanks to its ability to record 4K 60p internally using the full width of the full frame sensor, whereas it was cropped in the EOS R6, and to offer 4K oversampled from 6K for better quality.
The EOS R6 Mark III takes things up another level, with approximately 7K RAW (Standard up to 30p or RAW Light up to 60p) using the full width of the sensor, bringing a new level of detail. It delivers richly detailed 4K with high-quality oversampling at up to 60p, and even greater detail from approximately 7K oversampling at up to 30p – plus smooth, immersive slow motion in 4K 120p and Full HD 180p.
"Whether you're just starting out or building pro-level skills," Tibor says, "the EOS R6 Mark III gives you the freedom to explore filmmaking techniques with stunning clarity and cinematic flexibility."
The EOS R6 Mark III also supports Open Gate RAW (Light/Standard) recording up to 30p. Open Gate mode uses the full sensor instead of a cropped aspect ratio , giving you unmatched flexibility to reframe for vertical, horizontal or cinematic formats when you edit your video. "It's perfect for creators repurposing content across platforms, with no need to reshoot or compromise on quality," Tibor notes. "Plus, it maximises resolution, reduces cropping loss, and allows for you to try out a faster workflow."
Both the EOS R6 Mark II and the EOS R6 are able to capture extended dynamic range using Canon Log. In addition to Canon Log 3, the EOS R6 Mark III also supports Canon Log 2, which is designed to capture the maximum possible dynamic range – up to 15+ stops on this camera, compared to 14 stops with Canon Log 3. Canon Log 2 preserves more detail in the shadows, making it ideal for low-light shooting. The trade-off is increased noise in darker areas, which may require more post-processing to clean up.
In addition to HDR movies, also available on the EOS R6 Mark II, the EOS R6 Mark III supports additional video modes: Smooth Skin Movie, Movie for Close-up Demos, and Movie IS mode.
The EOS R6 Mark II brings professional video features including a false colour warning display for accurate exposure adjustments, and 6K RAW output via its Type D HDMI socket. The EOS R6 Mark III takes this up a level with its 7K RAW internal recording, Waveform Monitor, full-size Type A HDMI output, a tally lamp, four-channel audio support and video proxies, along with industry standard file naming, folder structures and advanced tagging. With all this, the EOS R6 Mark III also offers a valuable introduction to features typically found in larger-scale productions.