Jovana Rikalo

A white albino woman with blonde hair holding a black feather and a black woman with an afro holding a white feather. Both women have their eyes closed and their backs to each other.

Canon Ambassador Jovana Rikalo says the visual idea behind this image was the sun and the moon. "The contrast was essential to the concept," she says. "But rather than presenting the women as opposites, I wanted to show how beautifully they can coexist." Taken on a Canon EOS 5D Mark IV with a Canon EF 135mm f/2L USM lens at 1/200 sec, f/2.8 and ISO320. © Jovana Rikalo

When looking at Jovana Rikalo's work, you are entering a dream-like, cinematic and often surreal world. Her highly symbolic images include romantic fairytale castles and elegant models in flowing dresses standing in fields of flowers, snowy forests or even underwater.

Looking at her work, one might expect Jovana to have been creative since childhood, but hers was a late-flowering passion for artistic expression. "My creative journey started when I was in my second year of law studies," she says. "I thought I was going to be a lawyer but I didn't really like that idea. One day, I found the Flickr website and saw so many good photographers there, so many great ideas. I thought, why shouldn't I start doing something like that?"

Intrigued, Jovana bought a small pocket camera and started exploring ideas for pictures, asking her family and friends to pose for her. She had no formal training but followed online tutorials, mostly learning from her own experience of shooting. She invested in a Canon EOS 600D and developed her work further using professional models. Soon she was making money shooting artistic stock photos and she abandoned her law studies to start a new career as a photographer.

"I was shooting artistic, fantasy images but my style wasn't surreal at that time," she says. "I was still finding my style for two or three years. I started shooting lifestyle images of people, food and still lifes, then later doing portraits and fine art photos. I was also sharing my work online and I got lots of positive feedback. I used the money I earned to invest in my photography, buying equipment and props."

Location: Novi Sad, Serbia
Specialist area: Fine art, portraits
Favourite kit:
A model in a net dress embroidered with purple, white and pink flowers poses in a field of poppy heads.

"The original idea for this was to photograph in a field of blooming poppies, ranging in colour from white to deep purple," recalls Jovana. "But when we arrived, they had either faded or completely closed up. There was no time for a change of plan, but I actually love how it turned out. Unexpected images sometimes end up being the most memorable." Taken on a Canon EOS R6 Mark III with a Canon EF 135mm f/2L USM lens at 1/8000 sec, f/2 and ISO1600. © Jovana Rikalo

A portrait of a model in a dress adorned with pearls, her head framed by large, pink dandelion seedheads.

The pink flowers around this model's head are actually oversized dandelion heads, dyed pink. "Pink seedheads immediately make the image feel more surreal and dreamlike," says Jovana. "What you don't see are the hands helping to keep everything in position. The final image looks calm and effortless, but there was a lot happening just outside the frame." Taken on a Canon EOS R6 Mark III with a Canon RF 28-70mm F2L USM lens at 70mm, 1/6400 sec, f/2 and ISO16000. © Jovana Rikalo

Gradually, Jovana started selling her images to commercial and editorial clients and developed her own style of fantasy fine art imagery. Today, she works for a diverse range of international brands and her images have been used on over 70 book and magazine covers. Sometimes her clients approach her with an idea they would like her to develop; other times they use something she has already created in her personal work.

Jovana is never short of creative ideas and she does a huge amount of preparation. Most of her images are shot on location and she uses both natural and artificial light, depending on the project. She especially likes working at sunrise and sunset. Making her ideas come to life is very much a group effort – she has a team of around six people, depending on the project, including an assistant, a hair and make-up artist, a prop-maker and designers for custom-made dresses and décor.

A side profile portrait of a model with red hair bathed in orange light, standing in a forest amidst a sea of faded ferns and holding a brown fern leaf.

This image was taken while driving through the forest on the way home from another shoot. "Sometimes the most beautiful photos come from the moments you didn't plan for," says Jovana. "We saw the most magical sunset bathing the trees in this intense shade of orange. You can spend weeks preparing a concept, but you also have to be ready to recognise magic when it appears." Taken on a Canon EOS 5D Mark IV with a Canon EF 135mm f/2L USM lens at 1/400 sec, f/2.2 and ISO1000. © Jovana Rikalo

A model in a bright green dress reclining on a moss-covered fallen tree trunk in the shade of a giant mushroom.

An image created for a magazine cover with a mushroom theme. "I didn't want to simply photograph mushrooms as they appear in nature, I wanted to build an entire little world around the subject," explains Jovana. "I used organic textures, earthy colours and natural elements to make the scene feel like one cohesive environment." Taken on a Canon EOS 5D Mark IV with a Canon EF 135mm f/2L USM lens at 1/800 sec, f/2 and ISO800. © Jovana Rikalo

"I create about 80% of my images in-camera," she says. "I prefer to do everything on location, because I really enjoy that process." In the final post-production stage, Jovana adds and subtracts elements, grades colours and further refines the image to produce her distinctive results.

Jovana's images are full of emotion, symbolism and storytelling and she says people are welcome to interpret them as they wish. "I know what the images mean for me, but even if I explain them, people will understand them the way they want to," she says. "They have that freedom. It's one of the beautiful things about photography."

Where do you get your ideas, and how do you bring them to life?

"My ideas mostly come from my emotions – how I feel about things that are going on in my life or things I'm dreaming about. I try to connect the location and the props with the emotion. I always need the right model – finding someone who can really express what I want is the most important thing. I love choosing unique people with unusual features."

How long does it take you to go from an initial idea to a finished image?

"Thinking about and developing an idea takes a couple of days. I have to know in advance exactly what I want to do. Making the props and finding the location takes the most time, because some props take about two weeks to make. So each idea takes about two or three weeks to complete."

What piece of Canon kit can you not live without, and why?

"The Canon EOS R6 Mark III is my favourite camera to date. The images have so much detail and the increased low-light capability means I don't have to stop at sunset when I'm shooting on location; I can stay a while and still get great images."

What else can we discover in your kitbag that helps you elevate your work?

"The Canon RF 28-70mm F2L USM is an amazing lens. I used to be the kind of photographer who was always changing lenses, but since switching to this, I've used it for most of my work. You can do almost everything with it. If you want to do fine art work and you can buy only one lens, buy this one."

One thing I know

Jovana Rikalo

"To turn an initial idea into a finished image, you need very good organisational skills. You have to be very creative, but also be that person who is writing down ideas and preparing everything in detail. You have to be clear about what you want to do from the beginning. You also have to be consistent. Once you've achieved one thing, move on and always keep thinking about what you want to do next."

Website: jovanarikalo.com

Instagram: @jovanarikalo

Facebook: Jovana Rikalo photography

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